Forum For Real

El-P passe dire bonjour à la Red Bull Academy et taille le bout de gras avec Chairman Mao. Apparemment, il n'en veut plus à Rawkus, il parle du fardeau d'être independent as fuck et explique pourquoi il a créé un duo avec Killer Mike.
[video]http://vimeo.com/65598054#[/video]

fuck you Vimeo


http://www.egotripland.com/el-p-red-bull...ure-video/

hera a écrit :Papier intéressant de Noz sur les débuts de l'Internet rap.

En effet, merci ! Ca va m'aider pour un truc que je suis en train de faire.

http://www.hiphopdx.com/index/news/id.23...unced-dead
J'ai de bons souvenirs de Feeling Of Now mais ça fait très longtemps que j'ai pas écouté.

Shabazz Palaces remixe Animal Collective:

http://soundcloud.com/anmlcollective/ani...e-new-town

Une "Histoire de la mixtape" (pas encore lu), signée Noz.

From dubbed cassettes to burned CDs to 128kbsp mp3s, Noz details how mixtapes became – and remain – an integral part of hip hop.

The history of hip hop is told by the tale of the tape. About a decade after a posse of Dutch scientists figured out how to condense once-enormous magnetic recording spools into the compact space of a cassette, a Jamaican immigrant named Kool Herc birthed – in the community center of a Bronx apartment complex – what would eventually become a multibillion-dollar branch of the music industry. But the rise of these two inventions are inexorably linked, particularly in New York City.

etc.

http://www.redbullmusicacademy.com/magaz...es-feature

[video]http://www.youtube.com/watch?&v=mNBkxOrmf-Q[/video]

Et d'autres: http://www.mediafire.com/download/8ulpi0..._logic.rar

Breaking news : Necro scraps his album with Kool G. Rap!
In an exclusive GChat interview with The Martorialist crew, Necro announced today that his Godfathers album with Kool G. Rap would never see the light of day due to recording difficulties. "G. RAP CAME TO MY STUDIO TO RECORD IN 2011 AND THEN SPENT THE LAST 2 YEARS JUST SITTING AROUND LIKE A PUDDING TRYING TO THINK OF WORDS THAT RHYMED WITH ANGELO RUGGIERO AND OTHER B-LIST 80'S MOBSTERS WHO HAVE FUNNY ITALIAN NAMES" Necro told us in his trademark caps-lock before continuing, "EVEN THAT MIDGET WHIGGA WEED CARRIER FROM NON-PHIXION DIDN'T TAKE THAT LONG TO WRITE HIS SHIT AND HE HAD TO WATCH ALL 9 SEASONS OF THE X-FILES BEFORE HE COULD FINISH A SINGLE PUNCHLINE!"

Necro then insisted that his fans shouldn't be too disappointed as he has a new collaboration album with another New York icon in the pipeline. "WE'RE FOLLOWING IN THE SAME FOOTSTEPS AS SUCH LEGENDARY PAIRINGS AS HOV' & KELLZ, WEEZY & BABY, TOO $HORT & E-40, AND ILL BILL & VINNIE PAZ!!" enthused Necro as he unveiled the artwork for the upcoming project :



Asked if any Dipset or Uncle Howie crew members would be featuring on the album, Necro couldn't yet confirm. "I HAVE TO GO SACRIFICE A NEIGHBOURHOOD CAT TO THE SOUND OF SLOWLY WE ROT BY OBITUARY NOW, DIE!" he told us before the green light on his GChat account suddenly turned orange.

^^^ haha le tacle sur Sabac Red est incroyable. J'adore Necro.

http://www.hanginwiththehomies.com/

http://www.acclaimmag.com/music/country-...gone-soft/

C'est un peu caricatural mais je trouve aussi que trop de rappeurs sont tolérés alors qu'ils sont outrancièrement mous du genou.

http://nicholaspayton.wordpress.com/2013...nes-vol-3/

Citation :The difference is that your song is just a major triad “G-B-D over G” and Gaye’s tune is in Dominant Major which means he flatted the 7th degree of the scale (G-C#-E over A), which would explain why y’all’s song sounds like Oktoberfest and Marvin’s song sounds like the Blues.

^^ Lu cela il y a un moment. C'est marrant, mais dans le fond, la technique musicale on s'en branle.

Je suis certain d'arriver après la pluie, et que vous connaissez tous déjà, mais je viens de voir ça sur Yahoo : http://rapclocks.com/

hera a écrit :^^ Lu cela il y a un moment. C'est marrant, mais dans le fond, la technique musicale on s'en branle.

Bien sûr qu'on s'en branle, c'est même son point de vue; et quittes à s'en branler, merci de ne pas invoquer une quelconque technique pour légitimiser le vol d'oeuvres à moitié oubliées.